It) for anyone who begins to consider sound in their environment seriously. Soundscape is really required reading (whether or not you agree with all of Of acoustic ecology is generally attributed to living legend R.įraser University in Canada. Published a few times a year you will probably want to subscribe to the monthly It offers an always-fascinating mix of science, art, and polemic. Is reason enough to join a chapter on its own in addition to professional opportunities, With is its international institution, the Krause's idea of analyzing ecological change through its expression in biophany,īest resource for learning about or contributing to the discipline that I'm familiar (and its inhabitants) through analysis of natural soundscape.Īn example of applied acoustic ecology might be Bernie Heard of acoustic ecology, it's the interdisciplinary study of the environment Jim offers the most comprehensive collection of field recording releases I knowĮcology and acoustic ecological activism through Earth Ear's sister site, Of seminal soundscape compositions and work mixing conventional music with recordings. Not just phonography and more traditional field recording, but also offers a library Which is required surfing for anyone interested in field recording. For example, Michael Oster (who I'm not sure considers himself a phonographer, actually) has some great ideas on building windscreens on a budget. The phonography community has a strong do-it-yourself spirit, and is an excellent source of advice and innovative ideas for making interesting (and excellent) recordings inexpensively. If you'd like to hear what self-described phonographers are up to. Shop offers a deep catalog of phonography and field-recording-based sound art, (That's one definition others in the phonography community may differ somewhat.) Of environmental sound as opposed, say, to its scientific significance. I define as documentary sound recording with an ear towards the aesthetic possibilities In this sense (the word has been re-appropriated) Tried to collate here the resources I find myself recommending repeatedly.įirst places I direct people interested in the sort of field recording I do are In studios, it's not always clear how to begin. Even for people experienced in making recordings Made in the field, as opposed to in a studio. To say applies to field recording especially in its avocational, documentary,Īny of this turns out to be of use to you, please consider sharingĪ favorite recording here. Despite that bias, I do hope that what I have Throughout these pages my advice emphasizes my own interests: recording while Older readers will remember my passionate advocacy of the minidisc format, now but an archive in a dusty corner for posterity's sake. It's the last word for the record, I last updated it in the late spring of 2011. I fret that it's perpetually out of date, so don't assume I'm often asked about such things, I have a page detailing the Recording devices and the traveling field recordist Please: triangulate my advice with that in other forums. As a result, anything read here should be I am still figuring all thisĬhoices are difficult to give advice on the market is never still,Īnd I have personally only used a very small percentage of the tools available Īnd only truly abused a smaller subset yet. Years' experience making recordings and my interests (and hence approach) haveīeen narrow. But I'd like to begin by sharing what I've pieced together myself. You will find a survey of resources I've come to rely on as a recordist and anĪrtist. When people are inspired by this site, and with that in mind I am happy to share How much it has given me, it should be no surprise that I am interested in helping
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